Crossings: Asian Cinema and Media Culture 跨越:亞洲電影與媒體文化
Browse Crossings: Asian Cinema and Media Culture 跨越:亞洲電影與媒體文化
Series Editor: Man-Fung Yip 葉曼丰(University of Oklahoma 奧克拉荷馬大學)
The series “Crossings” publishes books in English and Chinese that investigate Asian cinema and media from cross-disciplinary and cross-methodological perspectives. It situates Asian cinema and media within a global or regional framework and explores different dimensions of transnationality in relation to production, distribution, and reception. It also entails trans-medial interrogations of past and present media culture, looking into the complex interactions of media forms and how they have shaped aesthetic and social practices. Wide-ranging in scope and method, the series places special emphasis on cutting-edge scholarship that draws on careful archival research or derives from vigorous, insightful theoretical study.
Inquiries and submissions should be directed to Kenneth Yung at Hong Kong University Press.
![Working the System Working the System](https://hkupress.hku.hk/image/cache/catalog/book-cover/9789888805600-126x180.jpg)
Working the System
Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966
![Remapping the Sinophone Remapping the Sinophone](https://hkupress.hku.hk/image/cache/catalog/book-cover/9789888528035-126x180.jpg)
Remapping the Sinophone
The Cultural Production of Chinese-Language Cinema in Singapore and Malaya before and during the Cold War
![Screening Communities Screening Communities](https://hkupress.hku.hk/image/cache/catalog/book-cover/9789888455768-126x180.jpg)
Screening Communities
Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema