High Gothic 哥德盛世
Christian Art & Iconography of the 13th–14th Century 十三至十四世紀的基督宗教藝術與圖像
Edited by Florian Knothe and Tullia C. Fraser 羅諾德、韋莉雅 編
December 2021
240 pages
8.25" x 11.75", color illustrations throughout
HK$300 (Hong Kong, Macau, Mainland China, and Taiwan only)
US$38 (Other Countries)
Paperback 978-988-74707-6-2

High Gothic: Christian Art & Iconography of the 13th–14th Century showcases classic examples of statuary, stained glass, diptychs, textiles and caskets that were used in the expression of Christian devotion in Western Europe.

‘Gothic’ was originally a derogatory term coined by scholars during the Renaissance to describe the ‘barbaric’ medieval architecture that arose with the decline of the classical forms of the Roman Empire. The word is now understood to describe a style of buildings and objects created between the twelfth and fifteenth centuries which incorporate elements such as novel advances in masonry work and the characteristic ogival arch.

The Gothic period saw an increased emphasis on the power of images, where vision became an active force for activating emotion and inspiring contemplation. The great cathedrals constructed in this period—with their thin walls and high vaults filled with statuary and stained-glass windows—were designed to evoke awe among visitors. The exquisite Gothic objects featured in the McCarthy Collection represent a broad spectrum of workshops and styles across Western Europe, dating from between the thirteenth and fourteenth centuries, all of which contributed to the splendour we now associate with the aesthetic of the High Gothic.




Florian Knothe is director of the University Museum and Art Gallery at the University of Hong Kong, where he is also an honorary associate professor in the School of Humanities. Tullia C. Fraser is a project associate at the University Museum and Art Gallery, the University of Hong Kong.

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